Bobby has released 8 full-length albums since 2011, and his most recent work, ‘Old Home’, has been reissued as a deluxe edition. This album is unique in that it is all acoustic, meaning there are no electric guitars on the record. His album previous to that, the self-titled record from 2019, contains 7 originals, and two covers, and shows the depth of his songwriting, vocal expertise, and electric guitar prowess. His 2018 EP ‘The Acoustic Sessions’, won a Wammie (Washington Area Music Association) award for ‘Best Blues Album’. This record has recently been expanded to include more acoustic originals in the digital release ‘Get It By the Grace’.
In September of 2023, Thompson released “Don’t Forget About the Good THings”, which he considers a compilation of his best work since 2010. Containing mostly singles, along with some live tracks and some studio demo bonus tracks, this album is a representation of some of his best songwriting, studio performances, and live takes, along with many fan favorites.
ALBUM REVIEWS
“It’s said that no man ever steps in the same river twice, for it’s not the same river and he’s not the same man. It’s as though the moments and hours and days are no longer ours once we’ve lived them. Virginia-based musician Bobby Thompson takes hold of the last ten years song by song on his new compilation album, Retrospect. In tune with the harvest season, this exciting record offers up a profound panorama of Thompson’s work, featuring sixteen songs that he’s written or covered over the last decade. Retrospect is Americana in the truest sense of the word. Thompson takes you through striking musical landscapes, from blues to folk, soul, and rock, offering kaleidoscopic glimpses of his musical roots.” … TJ TURNPILED read the entire article
"Bobby Thompson’s talent fills one’s ears and heart with the vigor and camaraderie that only comes in the midst of an appreciative audience. On eight original tracks and one cover (Elmore James’ “Look Over Yonder’s Wall”), this dynamic quartet goes all out to impress. This is reference-quality blues, not just any 'live release'."- BLUES BLAST MAGAZINE (review of ‘Live in Arlington’ album disc ‘Live at IOTA’)
"Revelator Hill's new album, Live By The Creek, offers a personal invitation to experience their magnetic musical alchemy up-close. Recorded at the Lubber Run Amphitheater in Virginia, it captures the elusive lightning in a bottle that makes for the greatest live albums, and you can still feel the flames that ignited the show... Like a hot knife through butter, Revelator Hill cuts through the everyday din with monster grooves. Renowned both for their intricate studio recordings and exhilarating live jams, the band radiates technical virtuosity and a live wire wildness." - GRATEFUL WEB (February 2018)
"Virginia based blues-rock band, Revelator Hill (with Ron Holloway) cracks 2018 with an outstanding compilation of blues-rock tunes with a rock edge. Live by the Creek ... chronicles the band’s inspired performance before an audience of two hundred on a hot summer night in 2017. Live By the Creek features tenor saxophonist, Ron Holloway, who is known for his work with Dizzy Gillespie, and as a working member of The Warren Haynes Band. He is often seen as a guest of bands Tedeschi-Trucks and Melvin Seals. Live By The Creek is a first rate blues-rock album with stellar musicians..." - ROCK AND BLUES MUSE (January 2018)
"I just had the opportunity to review the most recent release, Atlantic Detour, from Revelator Hill and it's a solid dose of rock! Opening with Bad Luck Goodbye, Bobby Thompson has the lead on vocal and guitar, backed by Seth Morrissey on bass, Wes Lanich on keys, Gary Crockett on drums and Jeff Mills on percussion. Classic styling, clever time changes and a solid beat make this a great opener. With a drone note on guitar, Gets Me Over has a dirty blues sound, overdriven amps, heavy tom tom and cool vocal blending. Look At You Now is a straight forward rocker with a driving beat and riding slide guitar. With a rock hard bass line and snappy drums, this track is rolling. Thompson's lead vocals on Let It Roll are particularly. With super percussion and full organ work, this is one of my favorite tracks on the release." - BMAN'S BLUES REPORT (April 2017)
"... an impressive amalgam of modern blues and AOR sounds. Opening track “Bad Luck Goodbye” is a slice of good-time boogie that augurs well for the rest of the album. Thompson’s fuzzily distorted guitar tones are immediately ear-catching, and they’re well backed up by Crockett’s swinging drums, a funky organ solo from Lanich, and booming bass from Morrissey. They keep it up with “Gets Me Over,” with its sturdy riff over an offbeat groove, laid back chorus and a bridge featuring gutsy, churning chords, and the punchy “Look At You Now” with its neat, descending guitar line and crisp drum sound." - BLUES ROCK REVIEW (March 2017)
